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The story may at first appear to be about the incompatibility of science and religion, represented in the apparent incompatibility between Ann and John, but Zobel and Modi take a more sensitive (and more rewarding) approach, finding the levels of compromise and understanding that can arise from such contrasts.
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Increasingly, Ann feels the same way about him, and over time the movie reveals depths to her character beyond simple religious faith.Ĭaleb is a nomad who wanders into the valley. “The hard part’s finding a reason,” John says about rebuilding civilization, and for him, that reason is Ann, whom he comes to love. Like all of the conflict in the movie, though, these tensions mainly exist under the surface, as the duo becomes a trio and John and Caleb throw themselves into the project of building the water wheel. There’s a mostly unmentioned racial dynamic at play as well, with the older Black man now feeling like an outsider on a farm with two white people who have a natural rapport. The two of them look like they belong together, both good-looking all-American young people with vaguely twangy accents. He’s a believer, too, and he’s also closer to Ann’s age. Roadside AttractionsĪnn gains an ally on the side of religion about halfway through the movie when she encounters Caleb (Chris Pine), a nomad who wanders into the valley and brings yet more disruption to Ann’s quiet home. Ann’s father’s chapel represents a literal battle between science and religion.